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Moving beyond the badge, Myczeck makes several recommendations for creating uniforms. They are responsible for introducing many of the rules still observed in sports today, including the concept of team uniforms and neutral referees. There is nothing natural about the concept of wilderness. A pop of color here, a new graphics dimension there. For the other side, there is a real nature and wilderness "out there;" to ignore them for the sake of language games is ultimately to do them a serious disservice. For one side, language is a powerful constructor of reality, and concepts like "nature" and "wilderness" are constituted by the culture that speaks them. In other words, sashiko embroidery the success of the performative is found in the student reproducing the behaviors that constitute knowledge development and distribution that she learned from her teacher-behaviors that are always already enmeshed in the smooth operations of the dominant culture. I first encountered Myczack in February of 2001 at an Illinois Student Environmental Network sponsored conference for empowering local activism. When I first saw Myczack do his recruitment routine for the Illinois Student Environmentalist Network, he titled the presentation: "Are Environmental Activists Allowed to Laugh? It is necessary work, but he worries that the slowness of results in grassroots mobilization is likely to be frustrating for many concerned citizen activists.

It is chief among many works environmental activists have collectively labeled "postmodern deconstructionist" approaches to nature (Soulé and Lease). Myczack’s performance is significantly different from these works in several ways. Her husband of 30 years - Enda - also works in healthcare as a GP in south Belfast. He admired the RCMP and its history, and he was proud of the extensive collection that he had acquired over many, many years. With intermediates taking over in competition, uniform polo shirts the big Fords no longer needed any sort of "performance" image to support sales. In what follows, I detail several of these gestures and their implications, detailing Myczack instructions for becoming an earth cop, how his performance (a kind of hoax art) operates as critical as well as ludic activism, and how performativity theory helps explicate his disruptions of common binaries in environmental discourse and practice. Craig Gingrich-Philbrook cautions that "this emphasis torques ‘performativity’ theory toward conspicuous performance (such as occurs on stage) as an explanatory metaphor for everyday performativity (such as occurs in conversation), rather than deconstructing the opposition, leaving no privileged term" (124). An application of the performative concept, therefore, should in significant ways resist bracketing off a "site" of performance in everyday life, emphasizing instead the ongoing and co-constitutive aspects of situated interactions in constructing shared realities.

Skaggs, for instance, goes as far as he can with a project before revealing it to be a hoax; once the deception is discovered, the performance is dropped and the point of the exercise has been to demonstrate how readily the media participated in the circulation of disinformation. Examples of these types of work include Joey Skaggs, whose media hoaxes illustrate the ways the news media construct and perpetuate false reality, and Beauvais Lyons whose "Hokes Archives" gallery installations manipulate the knowledge formation structures of museums and educational display. Rather than view education as the transmission of a pre-existing body of knowledge, Lyotard sees education as a significant site of the performative construction of knowledge. One theorist who has been particularly successful at deploying the performative without privileging the theatrical metaphor is Jean-Fancois Lyotard. It is hardly surprising that such a language turn would come from a man who makes a site of active agency for himself by inventing an Agency for which he is a representative.

Myczack’s activist work is related to various hoax artists who use the tactics of cons and deception to create performances that reveal and critique the power of representation. Behind the laughs and the borrowed barricade tape, several issues emerge from Myczack’s activism. However, Myczack’s message goes beyond that; he is protecting rivers-all rivers, but particularly the rivers of eastern Tennessee. His objective is to police and protect the rivers of Eastern Tennessee. Finally, Myczeck turns from imitating police equipment to important transformations of it. Again, Myczeck is carefully marking his difference from actual police and proposing actions that "safely" appropriate authority without going so far as to create paramilitary opposition or to court violent exchange in the field. Another illustrated the difference between space and camouflage, which is designed to help military personnel blend in with their surroundings. Quoted by French new site BFMTV, she also rejected the argument, external that a uniform could help make children more equal, saying "inequalities exist outside school". He innovated in the development of his supply and production cycle, finding ways to speed up the process so that new looks could make it into the store faster.